1 00:00:06,940 --> 00:00:09,242 THE VICTIM'S A RESIDENT OF SKID ROW. 2 00:00:09,275 --> 00:00:10,176 THE LAST THING HE SAID 3 00:00:10,210 --> 00:00:13,646 WAS SOMETHING LIKE, "THIS IS JUST THE FIRST. 4 00:00:13,680 --> 00:00:16,149 THERE'LL BE MORE." 5 00:00:16,182 --> 00:00:17,450 HE'S THE SKID ROW STALKER. 6 00:00:17,484 --> 00:00:18,818 WHO IS THIS? 7 00:00:18,852 --> 00:00:20,820 IT'S THE SKID ROW STALKER. 8 00:00:20,854 --> 00:00:22,422 THAT IS THE SAME VOICE 9 00:00:22,455 --> 00:00:23,699 THAT CALLED ME BEFORE ABOUT THE MURDERS. 10 00:00:23,723 --> 00:00:25,458 UNDERCOVER ON SKID ROW, HUH? 11 00:00:25,492 --> 00:00:26,626 AS WHAT? 12 00:00:26,659 --> 00:00:28,728 I'M LOOKING FOR MY FRIEND GERALDINE. 13 00:00:28,762 --> 00:00:29,839 DID YOU EVER HEAR THE OLD SAYING THAT 14 00:00:29,863 --> 00:00:32,332 THE MURDERER ALWAYS RETURNS TO THE SCENE OF THE CRIME? 15 00:00:32,365 --> 00:00:33,767 OK, HUNTER, GET ME OUT OF HERE. 16 00:01:31,257 --> 00:01:32,892 IT WORKS FOR ME. 17 00:02:15,535 --> 00:02:17,470 CITY ROOM. 18 00:02:17,504 --> 00:02:19,572 YES, THIS IS ISABELLE TURETTE. 19 00:02:22,242 --> 00:02:23,443 WAIT. HOLD ON. 20 00:02:25,311 --> 00:02:28,348 LOOK, IS THIS SOME KIND OF SICK JOKE? 21 00:02:28,381 --> 00:02:31,417 YOU KILLED... 22 00:02:31,451 --> 00:02:33,920 WHO IS THIS?! 23 00:02:36,756 --> 00:02:39,826 Isabelle: THE KILLER, HE CALLED ME BY MY NAME, 24 00:02:39,859 --> 00:02:42,428 ALMOST LIKE HE KNEW ME. 25 00:02:42,462 --> 00:02:44,397 "I'M YOUR BIGGEST FAN," HE SAID. 26 00:02:44,430 --> 00:02:46,432 "I WANT YOU TO SHARE IN MY GLORY." 27 00:02:46,466 --> 00:02:48,310 NOW, IS THERE ANYTHING ABOUT HIS VOICE THAT'S UNUSUAL 28 00:02:48,334 --> 00:02:49,612 OR PECULIAR YOU CAN TELL US ABOUT? 29 00:02:49,636 --> 00:02:51,905 IT WAS WEIRD, RASPY, 30 00:02:51,938 --> 00:02:54,941 LIKE HE WAS DISGUISING IT. 31 00:02:54,974 --> 00:02:58,511 I DON'T KNOW ANY MORE THAN THAT. I'M SORRY. 32 00:02:59,913 --> 00:03:02,448 HERE'S THE MURDER WEAPON. SATURDAY NIGHT SPECIAL. 33 00:03:02,482 --> 00:03:04,384 WHAT ABOUT THE VICTIM? ANY I.D.? 34 00:03:04,417 --> 00:03:06,753 ALL I'VE GOT IS A POSTMARK DATED 10 YEARS AGO 35 00:03:06,786 --> 00:03:08,688 AND A NAME, REGINALD LaMOINE. 36 00:03:08,721 --> 00:03:10,423 THANK YOU, SIR. 37 00:03:10,456 --> 00:03:11,591 MM-HMM. 38 00:03:14,761 --> 00:03:17,330 DOES THE NAME REGINALD LaMOINE 39 00:03:17,363 --> 00:03:19,332 RING A BELL WITH YOU AT ALL? 40 00:03:19,365 --> 00:03:20,934 NO. 41 00:03:20,967 --> 00:03:22,569 IF YOU HEAR FROM THIS PERSON AGAIN, 42 00:03:22,602 --> 00:03:23,703 NIGHT OR DAY, 43 00:03:23,736 --> 00:03:25,705 YOU CALL US IMMEDIATELY, ALL RIGHT? 44 00:03:28,508 --> 00:03:30,476 THE LAST THING HE SAID 45 00:03:30,510 --> 00:03:33,479 WAS SOMETHING LIKE, "THIS IS JUST THE FIRST." 46 00:03:34,647 --> 00:03:36,349 "THERE'LL BE MORE." 47 00:03:42,722 --> 00:03:43,756 10 BUCKS. 48 00:03:43,790 --> 00:03:46,626 10 BUCKS? WHAT YOU TALKING' 10 BUCKS? 49 00:03:46,659 --> 00:03:47,961 THAT STUFF LOOKS LIKE 50 00:03:47,994 --> 00:03:49,996 IT'S BEEN STEPPED ON BY ELEPHANTS. 51 00:03:50,029 --> 00:03:51,040 YEAH, WELL, IF YOU DON'T LIKE IT, 52 00:03:51,064 --> 00:03:52,432 YOU CAN GO SOMEPLACE ELSE, HUH? 53 00:03:52,465 --> 00:03:53,600 WAIT, WAIT... 54 00:03:54,667 --> 00:03:56,502 I LIKE ELEPHANTS. 55 00:03:56,536 --> 00:03:58,638 VERY NICE ANIMALS. 56 00:03:58,671 --> 00:03:59,672 ALL RIGHT, PAY ME. 57 00:05:09,709 --> 00:05:11,411 Hunter: EXACTLY WHAT TIME 58 00:05:11,444 --> 00:05:12,679 DID YOU GET THAT PHONE CALL? 59 00:05:12,712 --> 00:05:13,780 IT WAS STILL DARK. 60 00:05:13,813 --> 00:05:15,915 MUST HAVE BEEN AROUND 5:00 THIS MORNING. 61 00:05:15,948 --> 00:05:17,450 AND YOU CALLED US IMMEDIATELY, RIGHT? 62 00:05:17,483 --> 00:05:19,485 OH, YES. IMMEDIATELY. 63 00:05:19,519 --> 00:05:20,953 HOW ARE YOU DOING? 64 00:05:20,987 --> 00:05:22,789 IT'S JUST... 65 00:05:22,822 --> 00:05:24,757 SO REAL, YOU KNOW? 66 00:05:24,791 --> 00:05:26,092 AND THE UGLINESS OF IT. 67 00:05:26,125 --> 00:05:27,827 HOW DO YOU EVER GET USED TO IT? 68 00:05:27,860 --> 00:05:28,928 WE DON'T. 69 00:05:28,961 --> 00:05:30,797 READY FOR SOME MORE GOOD NEWS? 70 00:05:30,830 --> 00:05:33,132 I CAN'T EVEN GET A NAME. 71 00:05:33,166 --> 00:05:36,135 SHE'S PAST HAVING ONE A LONG TIME AGO. 72 00:05:36,169 --> 00:05:39,439 NOT IF I HAVE ANYTHING TO SAY ABOUT IT. 73 00:05:41,040 --> 00:05:42,108 ISABELLE, I'M GONNA ASK 74 00:05:42,141 --> 00:05:43,810 TO HAVE A TAP PUT ON YOUR TELEPHONE. 75 00:05:43,843 --> 00:05:45,078 AT THE PAPER? 76 00:05:45,111 --> 00:05:46,946 DO ANY OF YOU PEOPLE KNOW THIS WOMAN? 77 00:05:50,183 --> 00:05:51,851 COME ON, YOU SAW HER EVERY DAY. 78 00:05:51,884 --> 00:05:53,820 YOU HAVE TO AT LEAST KNOW HER FIRST NAME. 79 00:05:56,155 --> 00:05:58,558 WHERE DID SHE LIVE? 80 00:05:58,591 --> 00:05:59,992 WHERE DID SHE DRINK? 81 00:06:01,627 --> 00:06:03,563 SHE WAS A HUMAN BEING, DAMMIT, 82 00:06:03,596 --> 00:06:04,597 AND SOMEBODY KILLED HER. 83 00:06:04,630 --> 00:06:05,670 DOESN'T THAT MATTER TO YOU? 84 00:06:09,802 --> 00:06:11,480 HOW ARE MY OTHER SOURCES SUPPOSED TO FEEL WHEN THEY 85 00:06:11,504 --> 00:06:13,573 FIND OUT A COP IS BREATHING HEAVY ON THE OTHER END? 86 00:06:13,606 --> 00:06:15,541 I WON'T TELL. WILL YOU? 87 00:06:16,843 --> 00:06:19,212 I'M SORRY. I WANT TO HELP YOU, 88 00:06:19,245 --> 00:06:20,947 BUT NO SELF-RESPECTING REPORTER 89 00:06:20,980 --> 00:06:23,716 WOULD LET THE POLICE PUT A TAP ON HER LINE. 90 00:06:26,519 --> 00:06:28,488 Isabelle: WHERE DO THEY COME FROM? 91 00:06:28,521 --> 00:06:29,889 THE U.S. SUPREME COURT 92 00:06:29,922 --> 00:06:31,891 RECENTLY DECLARED IT UNCONSTITUTIONAL 93 00:06:31,924 --> 00:06:33,459 TO LOCK UP THE MENTALLY ILL 94 00:06:33,493 --> 00:06:35,895 UNLESS A COURT HAS FOUND THEM TO BE DANGEROUS 95 00:06:35,928 --> 00:06:37,530 TO THEMSELVES OR TO OTHERS. 96 00:06:37,563 --> 00:06:39,031 TURNED OUT OF THE INSTITUTIONS, 97 00:06:39,065 --> 00:06:41,134 MANY OF THEM FLOCK TO THE SKID ROWS 98 00:06:41,167 --> 00:06:42,602 OF OUR LARGE CITIES... 99 00:06:42,635 --> 00:06:46,139 HOMELESS, FRIENDLESS, AND FORGOTTEN. 100 00:06:46,172 --> 00:06:47,940 HOW'S IT COMING? 101 00:06:52,812 --> 00:06:55,515 DON'T WORRY ABOUT SPACE. WE'LL FIND IT. 102 00:06:55,548 --> 00:06:57,116 MR. BANKSIN... 103 00:06:57,150 --> 00:06:58,794 COULD WE HAVE A WORD WITH YOU IN YOUR OFFICE? 104 00:06:58,818 --> 00:06:59,986 SURE. 105 00:07:08,027 --> 00:07:09,262 EVEN WITH MY APPROVAL, 106 00:07:09,295 --> 00:07:12,098 YOU CAN'T TAP A LINE WITHOUT A COURT ORDER. 107 00:07:12,131 --> 00:07:15,535 AND THIS IS A NEWSPAPER, A PUBLIC TRUST. 108 00:07:15,568 --> 00:07:17,603 DO YOU KNOW WHAT WOULD PEOPLE WHO CALL US WOULD SAY 109 00:07:17,637 --> 00:07:19,872 IF THEY KNEW THEY WERE BEING WIRETAPPED BY THE POLICE? 110 00:07:19,906 --> 00:07:21,574 WE'RE TALKING ABOUT ONE LINE, 111 00:07:21,607 --> 00:07:22,675 ONE REPORTER. 112 00:07:22,708 --> 00:07:25,044 IT HAPPENS TO BE THE ONLY LINK WE HAVE TO THIS KILLER. 113 00:07:25,077 --> 00:07:27,613 NOW, IF YOU COOPERATE, WE'LL GET THE COURT ORDER. 114 00:07:27,647 --> 00:07:30,082 REPORTERS GO TO JAIL FOR NOT REVEALING THEIR SOURCES. 115 00:07:30,116 --> 00:07:32,518 AND YOU EXPECT ME TO AGREE TO A WIRETAP? 116 00:07:32,552 --> 00:07:33,920 PEOPLE ARE BEING KILLED HERE. 117 00:07:33,953 --> 00:07:35,631 CAN YOU GUARANTEE THAT IF WE DO IT YOUR WAY 118 00:07:35,655 --> 00:07:36,889 WE'LL CATCH THIS KILLER? 119 00:07:36,923 --> 00:07:37,990 OF COURSE I CAN'T. 120 00:07:38,024 --> 00:07:39,091 THEN I CAN'T AUTHORIZE IT. 121 00:07:39,125 --> 00:07:40,092 AND EVEN IF I DID, 122 00:07:40,126 --> 00:07:42,528 THERE'S NO WAY ISABELLE WOULD GO ALONG WITH IT. 123 00:07:42,562 --> 00:07:43,930 WELL, IF IT HAPPENS ONE MORE TIME, 124 00:07:43,963 --> 00:07:45,731 SHE'S NOT GOING TO HAVE MUCH OF A CHOICE. 125 00:07:45,765 --> 00:07:46,899 WON'T SHE? 126 00:07:46,933 --> 00:07:49,302 THEN YOU DON'T KNOW ISABELLE TURETTE, 127 00:07:49,335 --> 00:07:51,237 WHICH, INCIDENTALLY, ISN'T HER REAL NAME. 128 00:07:51,270 --> 00:07:53,773 TRY NELLA WATKINS. 129 00:07:53,806 --> 00:07:55,007 SHE GREW UP ON THE STREETS, 130 00:07:55,041 --> 00:07:56,776 DREAMING OF WINNING A PULITZER PRIZE. 131 00:07:56,809 --> 00:07:58,544 WORKED, SCRATCHED. 132 00:07:58,578 --> 00:08:01,747 HAD TO QUIT SCHOOL AT 14, BUT WENT BACK NIGHTS 133 00:08:01,781 --> 00:08:03,716 BECAUSE SHE HAD ONE HELL OF A MIND 134 00:08:03,749 --> 00:08:05,294 AND BECAUSE THAT'S HOW BAD SHE WANTED IT. 135 00:08:05,318 --> 00:08:06,819 THAT KILLER OUT THERE? 136 00:08:06,853 --> 00:08:09,889 I THINK HE PICKED THE WRONG LADY. 137 00:08:09,922 --> 00:08:11,157 L-56, COME IN. 138 00:08:11,190 --> 00:08:12,358 McCALL: GO AHEAD, DISPATCH. 139 00:08:12,391 --> 00:08:14,861 WE HAD A CALL FOR YOU FROM AN ISABELLE TURETTE. 140 00:08:14,894 --> 00:08:17,964 SOMEONE BROKE INTO HER RESIDENCE AT 5432 BELLON. 141 00:08:17,997 --> 00:08:19,732 OK, GOT IT. THANKS. 142 00:08:22,201 --> 00:08:23,970 Isabelle: COME IN. IT'S OPEN. 143 00:08:25,171 --> 00:08:27,073 I COULDN'T LOCK IT. 144 00:08:27,106 --> 00:08:29,041 THE LOCK'S BEEN JIMMIED. 145 00:08:31,777 --> 00:08:34,146 DID YOU SEE WHO DID IT? 146 00:08:34,180 --> 00:08:36,883 I GOT IN AROUND 9:30. 147 00:08:36,916 --> 00:08:39,018 WHEN I OPENED UP THE DOOR AND TURNED ON THE LIGHTS, 148 00:08:39,051 --> 00:08:40,286 HERE IT WAS. 149 00:08:40,319 --> 00:08:42,021 ANYTHING MISSING? 150 00:08:42,054 --> 00:08:43,656 I DON'T KNOW. 151 00:08:43,689 --> 00:08:45,758 I TRIED TO LOOK, I JUST COULDN'T. 152 00:08:45,791 --> 00:08:48,160 IT'S HIM, ISN'T IT? 153 00:08:48,194 --> 00:08:49,729 HE FOUND OUT WHERE I LIVED. 154 00:08:49,762 --> 00:08:51,764 HE CAME HERE AND HE DID THIS. WHY? 155 00:08:51,797 --> 00:08:54,267 WELL, IF IT IS THIS SKID ROW STALKER, 156 00:08:54,300 --> 00:08:55,735 AS YOU CALL HIM... I DON'T KNOW WHY, 157 00:08:55,768 --> 00:08:57,279 BUT IT'S OBVIOUS HE'S LOOKING FOR SOMETHING. 158 00:08:57,303 --> 00:08:58,604 YOU HAVE ANY IDEA WHAT? 159 00:08:58,638 --> 00:09:00,072 IT DOESN'T MAKE SENSE. 160 00:09:00,106 --> 00:09:04,277 I HAVE NO IDEA WHAT HE COULD BE LOOKING FOR. 161 00:09:04,310 --> 00:09:05,845 DID YOU CHECK YOUR MESSAGES YET? 162 00:09:08,714 --> 00:09:11,684 ISABELLE, YOU'VE NOT LET GO OF THE FEARS 163 00:09:11,717 --> 00:09:13,686 OF WHICH MORTALITY IS MADE. 164 00:09:13,719 --> 00:09:15,087 WORKING WITH THE AUTHORITIES 165 00:09:15,121 --> 00:09:16,756 YOU COST ME MY SANITY. 166 00:09:16,789 --> 00:09:17,924 SO WHEN DUSK COMES, 167 00:09:17,957 --> 00:09:21,027 I SHALL ONCE AGAIN BECOME OPEN PREY TO EAGLES. 168 00:09:21,060 --> 00:09:22,628 THE CHOICE IS MADE. 169 00:09:22,662 --> 00:09:26,198 ANOTHER'S BLOOD WILL SOON BE UPON MY HANDS. 170 00:09:30,970 --> 00:09:32,204 WHAT ARE YOU DOING? 171 00:09:32,238 --> 00:09:33,973 I'M GONNA TAKE THIS DOWNTOWN 172 00:09:34,006 --> 00:09:35,641 AND ANALYZE IT. IT'S OK, ISN'T IT? 173 00:09:35,675 --> 00:09:36,876 IT'S OK. TAKE IT. 174 00:09:36,909 --> 00:09:39,145 MAYBE SOMEBODY TIPPED HIM OFF 175 00:09:39,178 --> 00:09:40,780 WE WERE TALKING TO THE CITY EDITOR. 176 00:09:40,813 --> 00:09:42,081 McCALL: YEAH, THAT'S POSSIBLE. 177 00:09:42,114 --> 00:09:43,416 ANY IDEA WHO THAT COULD BE? 178 00:09:43,449 --> 00:09:45,685 YOU'RE NOT SUGGESTING SOMEONE AT THE PAPER 179 00:09:45,718 --> 00:09:46,352 COULD BE INVOLVED IN THIS? 180 00:09:46,385 --> 00:09:47,753 LET'S LOOK INTO THAT. 181 00:09:47,787 --> 00:09:48,955 THANKS. 182 00:09:52,124 --> 00:09:53,893 Finn: SO WHAT ARE YOU TELLING ME HERE? 183 00:09:53,926 --> 00:09:56,295 HER PLACE WAS RANSACKED, THERE WAS NOTHING MISSING. 184 00:09:56,329 --> 00:09:58,331 SHE HAS NO IDEA WHAT THEY'RE LOOKING FOR. 185 00:09:58,364 --> 00:09:59,265 THAT'S ABOUT RIGHT. 186 00:09:59,298 --> 00:10:01,233 AND THERE'S A MESSAGE ON HER PHONE MACHINE, 187 00:10:01,267 --> 00:10:03,703 BUT OUR LAB CAN'T TELL IF IT'S A MALE OR A FEMALE. 188 00:10:03,736 --> 00:10:04,937 RIGHT AGAIN? 189 00:10:04,971 --> 00:10:06,172 YEAH. 190 00:10:06,205 --> 00:10:07,840 WELL, WHAT HAVE WE GOT HERE? 191 00:10:07,873 --> 00:10:09,709 A BIG BUNCH OF NOTHING. 192 00:10:09,742 --> 00:10:12,311 WELL, THE VOICE WAS ALTERED ELECTRONICALLY. 193 00:10:12,345 --> 00:10:14,113 THAT'S BIG-TIME SOPHISTICATED. 194 00:10:14,146 --> 00:10:16,024 AND THE FBI FINGERPRINTS COMPUTER GAVE US THE NAME 195 00:10:16,048 --> 00:10:18,150 OF THE OTHER VICTIM. IT'S GERALDINE DeSOUZA, 196 00:10:18,184 --> 00:10:20,953 BORN MAY 17, 1921, IN TUCSON, ARIZONA. 197 00:10:20,987 --> 00:10:22,955 SHE DISAPPEARED ABOUT 12 YEARS AGO. 198 00:10:22,989 --> 00:10:24,690 HER FAMILY STILL DOESN'T KNOW WHERE SHE IS. 199 00:10:24,724 --> 00:10:25,825 SO WHERE DOES THAT LEAD US? 200 00:10:25,858 --> 00:10:27,426 I THINK IT OUGHT TO LEAD US TO SKID ROW. 201 00:10:27,460 --> 00:10:29,462 FINE. GO AHEAD. WHAT ARE YOU DOING HERE? 202 00:10:29,495 --> 00:10:31,473 WELL, THEY'RE NOT REAL KEEN ON COPS DOWN IN SKID ROW. 203 00:10:31,497 --> 00:10:32,507 ONE OF US HAS TO GO UNDERCOVER. 204 00:10:32,531 --> 00:10:35,434 YEAH, SO WE NEED A LITTLE MORE TIME AND EQUIPMENT. 205 00:10:35,468 --> 00:10:37,703 UNDERCOVER ON SKID ROW, HUH? 206 00:10:37,737 --> 00:10:38,938 AS WHAT? 207 00:10:44,076 --> 00:10:47,947 HEY. I'M LOOKING FOR MY FRIEND, GERALDINE. 208 00:10:47,980 --> 00:10:52,752 SHE'S ABOUT THIS TALL, AND SHE'S ABOUT 60. 209 00:10:52,785 --> 00:10:54,196 SHE ALWAYS WEARS A LUCKY RED SWEATER. 210 00:10:54,220 --> 00:10:55,430 IT'S LIKE THIS COLOR RIGHT HERE. 211 00:10:55,454 --> 00:10:57,156 JUST RED LIKE THAT. 212 00:10:57,189 --> 00:10:59,125 I HAVEN'T SEEN HER FOR A LONG TIME. 213 00:10:59,158 --> 00:11:00,292 HAVE YOU SEEN HER? 214 00:11:00,326 --> 00:11:02,995 NO, DEARIE. I CAN'T HELP YOU. 215 00:11:03,029 --> 00:11:04,697 I DON'T KNOW HER. 216 00:11:06,532 --> 00:11:09,869 BUT, KNOCK ON WOOD, I HOPE YOU FIND HER. 217 00:11:09,902 --> 00:11:10,903 HEH HEH HEH. 218 00:11:10,936 --> 00:11:12,038 ME, TOO. THANK YOU. 219 00:11:12,071 --> 00:11:13,071 BYE. 220 00:11:42,368 --> 00:11:45,071 IT'S OK, HUNTER. STAY WHERE YOU ARE. HE'S GONE. 221 00:11:50,543 --> 00:11:52,278 McCALL: I'VE BEEN LOOKING FOR HER 222 00:11:52,311 --> 00:11:54,056 FOR A LONG TIME, AND I HAVEN'T FOUND HER AT ALL. 223 00:11:54,080 --> 00:11:55,214 YOU EVER SEEN HER? 224 00:11:55,247 --> 00:11:57,249 SOUNDS LIKE YOU'RE DESCRIBING WANDA, 225 00:11:57,283 --> 00:11:59,251 NOT SOME GERALDINE. 226 00:11:59,285 --> 00:12:00,820 ABOUT SO HIGH, 227 00:12:00,853 --> 00:12:01,954 OLD GAL, 228 00:12:01,987 --> 00:12:03,489 TREASURE HUNTER LIKE ME. 229 00:12:03,522 --> 00:12:05,224 POKES AROUND A LOT, 230 00:12:05,257 --> 00:12:07,126 WEARS A RED SWEATER. 231 00:12:07,159 --> 00:12:08,894 RED SWEATER. RED SWEATER. 232 00:12:08,928 --> 00:12:11,197 THAT'S WHAT SHE ALWAYS... LUCKY RED SWEATER. 233 00:12:11,230 --> 00:12:12,898 THAT'S HER. WHERE CAN I FIND HER? 234 00:12:12,932 --> 00:12:15,301 MIGHT TRY JACK'S BAR. 235 00:12:15,334 --> 00:12:18,270 I'VE SEEN HER IN THERE BEFORE... MORE THAN ONCE. 236 00:12:18,304 --> 00:12:19,538 JACK'S BAR... 237 00:12:19,572 --> 00:12:21,807 OK, I KNOW EXACTLY WHERE THAT IS. 238 00:12:21,841 --> 00:12:22,908 JACK'S BAR, JACK'S BAR. 239 00:12:22,942 --> 00:12:25,444 THANK YOU SO... OH, THANK YOU. BLESS YOU. 240 00:12:29,949 --> 00:12:32,051 OK, HUNTER, GET ME OUT OF HERE. 241 00:12:32,084 --> 00:12:33,586 CORNER OF OLIVE AND ALAMEDA. 242 00:12:33,619 --> 00:12:35,454 I HEAR YOU! 243 00:12:35,488 --> 00:12:37,423 YOU KNOW, SOMETIMES THEM LITTLE OLD BOTTLES 244 00:12:37,456 --> 00:12:39,158 JUST SEEM TO COME TO LIFE. 245 00:12:39,191 --> 00:12:40,159 IF I DIDN'T KNOW BETTER, 246 00:12:40,192 --> 00:12:41,360 I'D SWEAR MINE WAS SINGING 247 00:12:41,393 --> 00:12:42,495 THE STAR SPANGLED BANNER. 248 00:13:09,989 --> 00:13:12,124 HUNTER, GET ME OUT OF HERE. 249 00:13:12,158 --> 00:13:14,260 OLIVE AND ALAMEDA. 250 00:13:14,293 --> 00:13:16,061 I LIKE IT. 251 00:13:17,096 --> 00:13:18,497 IT'S YOU. 252 00:13:18,531 --> 00:13:21,934 I ALSO LIKE WHAT YOU'VE DONE WITH YOUR HAIR. 253 00:13:21,967 --> 00:13:23,869 IT MAKES A PERSONAL STATEMENT. 254 00:13:23,903 --> 00:13:25,614 I LIKE THAT ABOUT YOU. I RESPECT YOU FOR THAT. 255 00:13:25,638 --> 00:13:27,640 YOU WANT TO HEAR A REALLY PERSONAL STATEMENT? 256 00:13:27,673 --> 00:13:28,874 NO. 257 00:13:28,908 --> 00:13:30,276 GOOD. 258 00:13:30,309 --> 00:13:32,311 TAKE ME HOME. AHH. 259 00:13:32,344 --> 00:13:34,380 I'M EXHAUSTED. I GOTTA TAKE A BATH 260 00:13:34,413 --> 00:13:35,414 AND CHANGE MY CLOTHES, 261 00:13:35,447 --> 00:13:38,217 AND THEN WE'VE GOT TO GO TO JACK'S AND GET A DRINK. 262 00:13:38,250 --> 00:13:39,652 Hunter: HIYA, JACK. 263 00:13:39,685 --> 00:13:40,653 I'M NOT JACK. 264 00:13:40,686 --> 00:13:42,521 CAN WE TALK TO JACK? 265 00:13:42,555 --> 00:13:45,090 YOU CAN TRY, BUT HE'S BEEN DEAD FOR SO LONG, 266 00:13:45,124 --> 00:13:47,026 HE PROBABLY WON'T ANSWER. 267 00:13:47,059 --> 00:13:49,929 ARE YOU THE STAFF CLOWN OR DO YOU OWN THIS PLACE? 268 00:13:49,962 --> 00:13:51,230 I OWN IT. 269 00:13:54,200 --> 00:13:57,570 WHAT DID YOU SAY YOUR NAME WAS? 270 00:13:57,603 --> 00:13:59,071 IT'S SID. 271 00:13:59,104 --> 00:14:01,340 SIGNS COST MONEY, AND DRUNKS DON'T READ THEM ANYWAYS. 272 00:14:01,373 --> 00:14:02,484 DO YOU KNOW ANYTHING ABOUT THE MURDER 273 00:14:02,508 --> 00:14:04,310 OF THE WOMAN LAST NIGHT AT FIFTH AND HILL? 274 00:14:04,343 --> 00:14:05,477 NOPE. 275 00:14:05,511 --> 00:14:07,279 SHE WAS A BAG LADY, 276 00:14:07,313 --> 00:14:09,114 KIND OF A PACK RAT. 277 00:14:09,148 --> 00:14:10,649 HER NAME MIGHT HAVE BEEN WANDA. 278 00:14:10,683 --> 00:14:13,452 SHE ALWAYS WORE A RED SWEATER. 279 00:14:13,485 --> 00:14:15,521 SID, COME ON. I HEAR 280 00:14:15,554 --> 00:14:17,465 YOU'RE THE EYES AND EARS OF THIS WHOLE NEIGHBORHOOD. 281 00:14:17,489 --> 00:14:19,558 LOOK, I DON'T LIKE COPS IN HERE. 282 00:14:19,592 --> 00:14:21,193 IT RUNS THE CUSTOMERS OFF. 283 00:14:21,227 --> 00:14:22,328 IT'S NOTHING PERSONAL. 284 00:14:22,361 --> 00:14:25,164 YEAH, WELL, MAYBE IF YOU PUT SOME LIQUOR IN YOUR LIQUOR. 285 00:14:25,197 --> 00:14:27,600 I ESPECIALLY DON'T LIKE FUNNY COPS. 286 00:14:27,633 --> 00:14:29,468 WHAT ABOUT SPOILSPORT COPS? 287 00:14:29,501 --> 00:14:32,204 WHAT ABOUT COPS WHO THINK YOU HAVE TOO MANY PHONES 288 00:14:32,238 --> 00:14:33,138 IN YOUR BAR? WHAT ABOUT COPS 289 00:14:33,172 --> 00:14:35,241 WHO THINK YOU'RE RUNNING A BOOK IN BACK ROOM? 290 00:14:37,343 --> 00:14:39,945 SHE LIKED HER SHERRY, AND YOU'RE RIGHT. 291 00:14:39,979 --> 00:14:41,313 HER NAME WAS WANDA. 292 00:14:43,482 --> 00:14:44,583 IS THAT IT? 293 00:14:44,617 --> 00:14:46,485 WHAT ELSE DO YOU WANT? 294 00:14:46,518 --> 00:14:49,121 SOME OF THESE PEOPLE DON'T SMELL SO GOOD. 295 00:14:49,154 --> 00:14:50,498 SOMETIMES YOU DON'T WANT TO GET CLOSE ENOUGH 296 00:14:50,522 --> 00:14:51,624 TO POUR THEIR BOOZE. 297 00:14:51,657 --> 00:14:53,459 OR TAKE THEIR MONEY. 298 00:14:53,492 --> 00:14:55,628 GIVE ME A BREAK, HUH? 299 00:14:55,661 --> 00:14:58,597 ALL I KNOW IS, THAT WHENEVER SHE HIT IT LUCKY, 300 00:14:58,631 --> 00:14:59,999 THEY'D COME IN HERE 301 00:15:00,032 --> 00:15:01,509 AND ORDER SHERRY LIKE A COUPLE OF QUEENS. 302 00:15:01,533 --> 00:15:03,068 WHAT DO YOU MEAN, THEY? 303 00:15:03,102 --> 00:15:05,137 THEY. HER AND POCKETS. 304 00:15:05,170 --> 00:15:07,239 WHO THE HELL IS POCKETS? 305 00:15:07,273 --> 00:15:09,008 ANOTHER CRAZY BROAD. 306 00:15:09,041 --> 00:15:11,076 THEY WERE ALWAYS TOGETHER. 307 00:15:11,110 --> 00:15:13,078 WHERE CAN WE FIND THIS POCKETS? 308 00:15:13,112 --> 00:15:14,446 LOOK, FINDING POCKETS 309 00:15:14,480 --> 00:15:16,382 AIN'T GONNA DO YOU AN OUNCE OF GOOD. 310 00:15:16,415 --> 00:15:18,984 SHE DON'T TALK, NOT TO NOBODY, EVER. 311 00:15:21,353 --> 00:15:24,056 SHE HANGS OUT OVER ON THIRD, BY THE BANK, 312 00:15:24,089 --> 00:15:25,958 WHERE SHE DON'T TALK, EITHER. 313 00:15:43,242 --> 00:15:46,211 POCKETS? I'M SERGEANT McCALL. 314 00:15:46,245 --> 00:15:49,748 THIS IS SERGEANT HUNTER. WE'RE POLICE OFFICERS. 315 00:15:51,116 --> 00:15:53,385 PLEASE. WE JUST WANT TO TALK WITH YOU, POCKETS. 316 00:15:59,692 --> 00:16:01,160 IT'S ABOUT WANDA. 317 00:16:04,530 --> 00:16:05,731 SHE'S DEAD. 318 00:16:08,667 --> 00:16:10,803 I'M SORRY. 319 00:16:10,836 --> 00:16:13,105 I KNOW SHE WAS YOUR FRIEND. 320 00:16:14,340 --> 00:16:16,475 I KNOW SHE WAS ALONE, AND SOMEBODY KILLED HER. 321 00:16:16,508 --> 00:16:18,577 AND GOD KNOWS SHE DESERVES BETTER THAN THAT. 322 00:16:20,779 --> 00:16:23,649 IS THERE SOMEPLACE WE CAN GO AND SIT DOWN? 323 00:16:27,519 --> 00:16:29,388 I DON'T KNOW. MAYBE SID'S RIGHT. 324 00:16:29,421 --> 00:16:31,423 MAYBE SHE CAN'T TALK. MAYBE SHE DOESN'T UNDERSTAND. 325 00:16:31,457 --> 00:16:33,559 I UNDERSTAND MORE THAN SID DOES. 326 00:16:35,194 --> 00:16:37,062 WHY DIDN'T YOU SAY ANYTHING? 327 00:16:37,096 --> 00:16:38,197 SAY WHAT? 328 00:16:38,230 --> 00:16:39,531 THEY LEAVE YOU ALONE, 329 00:16:39,565 --> 00:16:41,066 YOU DON'T SAY NOTHING. 330 00:16:41,100 --> 00:16:42,735 WHY DID YOU DECIDE TO TALK TO US? 331 00:16:42,768 --> 00:16:44,336 I LIKE WHAT SHE SAID 332 00:16:44,370 --> 00:16:47,239 ABOUT WANDA DESERVING BETTER. 333 00:16:47,272 --> 00:16:49,708 WILL YOU TALK TO US ABOUT WANDA? 334 00:16:49,742 --> 00:16:52,811 YOU'LL BUY A BOTTLE OF SHERRY FOR HER AND ME? 335 00:16:52,845 --> 00:16:54,179 SURE WILL. 336 00:17:27,312 --> 00:17:29,248 WANDA SLEPT THERE. 337 00:17:30,649 --> 00:17:31,784 I GUESS... 338 00:17:33,218 --> 00:17:35,320 I... I BETTER GET RID OF IT NOW. 339 00:17:37,456 --> 00:17:39,191 YOU TWO, TURN AROUND. TURN AROUND. 340 00:17:39,224 --> 00:17:40,359 TURN AROUND! 341 00:17:47,733 --> 00:17:50,169 NO PEEKING NOW. YOU HEAR ME? 342 00:17:50,202 --> 00:17:51,403 YEAH, WE HEAR YOU. 343 00:18:00,179 --> 00:18:02,581 NOW YOU CAN LOOK. 344 00:18:02,614 --> 00:18:06,118 I DON'T LET NOBODY SEE MY HIDEY-HOLE. 345 00:18:08,821 --> 00:18:10,789 THERE. SIT DOWN. SIT DOWN. 346 00:18:14,293 --> 00:18:15,828 I TOLD WANDA, 347 00:18:15,861 --> 00:18:19,665 DON'T GO POKING IN THAT GARBAGE AT NIGHT. 348 00:18:19,698 --> 00:18:23,602 I TOLD HER, POKE ALL YOU WANT IN THE DAYTIME, 349 00:18:23,635 --> 00:18:26,271 BUT AT NIGHT, YOU STAY HERE. 350 00:18:26,305 --> 00:18:27,806 SHE WOULDN'T LISTEN TO ME. 351 00:18:27,840 --> 00:18:30,642 ALL THE TIME, POKING IN THAT DAMN GARBAGE 352 00:18:30,676 --> 00:18:31,910 LIKE A RAT. 353 00:18:31,944 --> 00:18:33,479 AND, SURE ENOUGH... 354 00:18:34,546 --> 00:18:35,547 HE GOT HER. 355 00:18:35,581 --> 00:18:36,949 WHO GOT HER? 356 00:18:36,982 --> 00:18:40,586 WHO DO YOU THINK? THE GUY WHAT KILLED HER. 357 00:18:40,619 --> 00:18:42,488 WELL, WHO WAS HE? 358 00:18:42,521 --> 00:18:46,492 I DON'T KNOW, BUT AS SOON AS I FIND OUT, 359 00:18:46,525 --> 00:18:48,627 I'M GONNA GIVE HIM ONE RIGHT BETWEEN THE EYES 360 00:18:48,660 --> 00:18:50,262 LIKE HE DONE WANDA. 361 00:18:51,797 --> 00:18:53,298 WANDA WAS OK. 362 00:18:53,332 --> 00:18:55,701 SHE JUST COULDN'T CARE FOR HERSELF. 363 00:18:55,734 --> 00:18:57,903 I TRIED, 364 00:18:57,936 --> 00:19:01,540 BUT YOU COULDN'T TELL HER NOTHING. 365 00:19:01,573 --> 00:19:04,510 SHE WAS ALL TALK TO ANYBODY. 366 00:19:04,543 --> 00:19:07,779 ALWAYS TALKING, POKING, TALKING, AND POKING. 367 00:19:10,749 --> 00:19:13,785 ISABELLE! GOOD STUFF! KEEP IT UP, 368 00:19:13,819 --> 00:19:15,954 AND YOU'RE GONNA WIN A PULITZER, YOUNG LADY. 369 00:19:15,988 --> 00:19:17,256 I'D RATHER FIND A HOME 370 00:19:17,289 --> 00:19:19,258 FOR A BUNCH OF POOR PEOPLE ON SKID ROW. 371 00:19:42,581 --> 00:19:44,449 WHAT IS IT? WHAT DO YOU WANT? 372 00:19:44,483 --> 00:19:45,784 I SEEN YOU. 373 00:19:45,817 --> 00:19:46,852 WHAT? 374 00:19:46,885 --> 00:19:49,721 I SEEN YOU ON TV. 375 00:19:49,755 --> 00:19:53,559 EXCUSE ME. I'M SORRY. I'M REALLY IN A HURRY. 376 00:19:53,592 --> 00:19:55,594 YOU LET GO OF ME, OR I'M GONNA CALL FOR HELP. 377 00:19:55,627 --> 00:19:58,897 NO, YOU WON'T 'CAUSE I SEEN YOU BEFORE YOU GOT ON TV. 378 00:19:58,931 --> 00:20:00,832 I SEEN YOU IN THAT ALLEY. 379 00:20:00,866 --> 00:20:01,967 WHAT ALLEY? 380 00:20:02,000 --> 00:20:03,569 YOU KNOW WHAT ALLEY. 381 00:20:03,602 --> 00:20:07,906 I WANT $5,000, OR I'M GONNA GO TELL THE POLICE. 382 00:20:07,940 --> 00:20:09,975 TELL THEM WHAT? 383 00:20:10,008 --> 00:20:12,811 THAT THERE AIN'T NO SKID ROW STALKER. 384 00:20:12,844 --> 00:20:15,414 YOU MADE IT ALL UP, LADY. 385 00:20:16,448 --> 00:20:17,983 THE STALKER IS YOU. I SEEN YOU. 386 00:20:18,016 --> 00:20:20,552 I SEEN YOU KILL THAT OLD LADY. 387 00:20:25,857 --> 00:20:27,059 HI. SORRY TO KEEP YOU WAITING, 388 00:20:27,092 --> 00:20:28,660 BUT WE WON'T BE ISSUING A STATEMENT 389 00:20:28,694 --> 00:20:29,795 UNTIL THIS TIME TOMORROW. 390 00:20:29,828 --> 00:20:31,530 ARE YOU SAYING YOU HAVE NO LEADS? 391 00:20:31,563 --> 00:20:32,740 ARE THERE ANY SUSPECTS AT THIS POINT? 392 00:20:32,764 --> 00:20:33,765 NO, I'M SORRY. 393 00:20:33,799 --> 00:20:34,900 ANY COMMENT AT ALL? 394 00:20:34,933 --> 00:20:36,902 HEY, IT'S ISABELLE TURETTE. 395 00:20:36,935 --> 00:20:38,870 ISABELLE, WHY ARE YOU HERE? 396 00:20:38,904 --> 00:20:40,415 ISABELLE, WHAT'S THE STATUS OF THE CASE? 397 00:20:40,439 --> 00:20:41,506 ANY NEW DEVELOPMENTS? 398 00:20:41,540 --> 00:20:43,508 PLEASE, I HAVE A DEADLINE, JUST LIKE YOU. 399 00:20:43,542 --> 00:20:46,011 WAIT. HAVE YOU TALKED TO THE KILLER AGAIN? 400 00:20:46,044 --> 00:20:48,480 AND IF SO, WAS ANY MOTIVE GIVEN FOR THE MURDERS? 401 00:20:48,513 --> 00:20:51,583 YOU'LL READ ALL ABOUT IT IN THE DAILY CITIZEN. 402 00:20:54,786 --> 00:20:56,488 THAT'S WHAT I'VE BEEN TRYING TO TELL YOU. 403 00:20:56,521 --> 00:20:58,423 THIS GUY SAYS HE HAS EYEWITNESS INFORMATION 404 00:20:58,457 --> 00:20:59,524 ABOUT THE KILLINGS. 405 00:20:59,558 --> 00:21:00,959 AND THE VOICE WASN'T ANYTHING 406 00:21:00,993 --> 00:21:02,060 LIKE THE KILLER'S? 407 00:21:02,094 --> 00:21:04,062 NO, NO, IT WAS JUST NORMAL. 408 00:21:04,096 --> 00:21:06,331 AND THE ONLY THING HE WAS WORRIED ABOUT 409 00:21:06,365 --> 00:21:07,809 WAS HOW MUCH MONEY I WAS GOING TO PAY HIM. 410 00:21:07,833 --> 00:21:09,010 HOW MUCH WERE YOU GOING TO PAY HIM? 411 00:21:09,034 --> 00:21:10,602 $500. 412 00:21:10,636 --> 00:21:11,770 DID HE ALSO VOLUNTEER 413 00:21:11,803 --> 00:21:13,872 TO TELL YOU WHERE JIMMY HOFFA WAS? 414 00:21:13,905 --> 00:21:16,708 MY INSTINCTS TELL ME THIS GUY'S LEGIT. 415 00:21:16,742 --> 00:21:18,119 NOW, THE ONLY THING I'M WORRIED ABOUT 416 00:21:18,143 --> 00:21:19,411 IS MEETING HIM IN SKID ROW 417 00:21:19,444 --> 00:21:20,278 IN THE MIDDLE OF THE NIGHT. 418 00:21:20,312 --> 00:21:21,522 WELL, YOU DON'T HAVE TO WORRY ABOUT THAT. 419 00:21:21,546 --> 00:21:22,547 I'LL GO MEET HIM. 420 00:21:22,581 --> 00:21:25,417 MY FACE HAS BEEN PLASTERED ALL OVER THE 6:00 NEWS. 421 00:21:25,450 --> 00:21:28,053 NO, HUH-UH. I WANT YOU TO WIRE ME AND BACK ME UP. 422 00:21:28,086 --> 00:21:29,721 WAIT A MINUTE NOW. 423 00:21:29,755 --> 00:21:30,956 YOU'RE A CIVILIAN. WE CAN'T... 424 00:21:30,989 --> 00:21:32,124 I'M NOT A CIVILIAN. 425 00:21:32,157 --> 00:21:33,625 I'M A REPORTER, AND THAT'S THE DEAL. 426 00:21:33,659 --> 00:21:35,394 IF YOU WANT TO KNOW MORE ABOUT THIS, 427 00:21:35,427 --> 00:21:36,638 YOU PUT A HIDDEN MICROPHONE ON ME. 428 00:21:36,662 --> 00:21:38,964 OTHERWISE, I'M JUST GONNA DO IT ALL ON MY OWN. 429 00:21:42,968 --> 00:21:45,404 NOW, DON'T TRY TO BE A HERO, ISABELLE. 430 00:21:45,437 --> 00:21:47,005 DON'T TAKE ANY CHANCES. YOU UNDERSTAND? 431 00:21:47,039 --> 00:21:49,041 LET US DO THE POLICE WORK. 432 00:21:49,074 --> 00:21:51,777 IT'S YOUR LAST CHANCE TO BACK OUT. 433 00:21:51,810 --> 00:21:54,146 IT'S... IT'S OK. LET'S DO IT. 434 00:21:54,179 --> 00:21:56,448 ALL RIGHT, YOU'RE ALL SET. 435 00:22:14,800 --> 00:22:17,069 THERE'S A NOTE HERE THAT SAYS, 436 00:22:17,102 --> 00:22:19,538 "KEEP GOING SOUTH TO THE NEXT PHONE BOOTH." 437 00:22:40,859 --> 00:22:42,194 THERE'S ANOTHER NOTE HERE. 438 00:22:42,227 --> 00:22:44,663 IT SAYS, "GO TO THE NEXT ALLEY, 439 00:22:44,696 --> 00:22:46,031 MEET ME NEAR THE FENCE." 440 00:22:46,064 --> 00:22:48,900 IF HE'S THIS CLOSE, YOU BETTER STAY THERE. 441 00:22:48,934 --> 00:22:50,569 HE MIGHT HEAR YOUR CAR. 442 00:23:04,683 --> 00:23:06,618 WHAT'S THE GUN FOR, BILLY? 443 00:23:06,651 --> 00:23:08,653 YOU DON'T NEED A GUN. 444 00:23:13,024 --> 00:23:14,025 YOU GOT THE CASH? 445 00:23:26,738 --> 00:23:28,440 HELP! 446 00:23:43,622 --> 00:23:44,856 HELP! 447 00:23:46,258 --> 00:23:47,526 AAH! 448 00:23:47,559 --> 00:23:48,693 AAH! 449 00:23:52,597 --> 00:23:54,533 HE TRIED TO KILL ME! 450 00:23:54,566 --> 00:23:56,234 HE TRIED TO KILL ME! 451 00:23:57,302 --> 00:23:58,937 IT'S ALL RIGHT. IT'S OK. WE'RE HERE. 452 00:24:09,981 --> 00:24:11,216 WHAT THE HELL HAPPENED HERE? 453 00:24:11,249 --> 00:24:12,784 IT WAS HIM. 454 00:24:12,818 --> 00:24:14,786 IT'S THE SKID ROW STALKER. 455 00:24:14,820 --> 00:24:16,230 THAT'S THE SAME VOICE THAT CALLED ME BEFORE 456 00:24:16,254 --> 00:24:17,556 ABOUT THE MURDERS. 457 00:24:17,589 --> 00:24:19,591 HE GOT ME HERE TO KILL ME! 458 00:24:19,624 --> 00:24:21,660 HE POINTED THE GUN AT ME, 459 00:24:21,693 --> 00:24:23,562 AND HE STARTED TALKING TO ME IN THIS GIBBERISH. 460 00:24:23,595 --> 00:24:25,130 SO I GRABBED THE GUN, AND IT WENT OFF, 461 00:24:25,163 --> 00:24:27,199 I DON'T KNOW HOW MANY TIMES. 462 00:24:27,232 --> 00:24:30,535 AND SUDDENLY HE JUST DROPPED, AND I RAN. 463 00:24:30,569 --> 00:24:31,609 WHAT HAPPENED TO YOUR WIRE? 464 00:24:31,636 --> 00:24:35,674 WHEN HE CAME RUSHING OUT, IT MUST HAVE PULLED LOOSE. 465 00:24:35,707 --> 00:24:37,809 HE CAME FROM THE SHADOWS AND GRABBED MY ARM. 466 00:24:37,843 --> 00:24:41,646 LET ME SEE THE NOTES YOU GOT FROM THE PHONE BOOTH. 467 00:24:50,589 --> 00:24:54,559 I'M NOT A HAPPY, CAREFREE KIND OF GUY. 468 00:24:54,593 --> 00:24:56,595 I WORRY ABOUT THINGS. 469 00:24:56,628 --> 00:24:59,564 I WORRY ABOUT NUCLEAR ARMS. 470 00:24:59,598 --> 00:25:01,299 I WORRY ABOUT FOOD RIOTS. 471 00:25:01,333 --> 00:25:04,202 I WORRY ABOUT TWO HOT-DOG COPS 472 00:25:04,236 --> 00:25:06,238 WHO USE CIVILIANS ON DECOY OPERATIONS. 473 00:25:06,271 --> 00:25:07,706 NOW WAIT A MINUTE, AMBROSE. 474 00:25:07,739 --> 00:25:09,174 IT WAS NOT A DECOY OPERATION. 475 00:25:09,207 --> 00:25:11,176 SHE WAS GOING WITH US OR WITHOUT US. 476 00:25:11,209 --> 00:25:14,346 WELL, ANYWAY, AT LEAST IT WAS THE BAD GUY 477 00:25:14,379 --> 00:25:16,081 WHO BIT THE BISCUIT AND NOT HER. 478 00:25:16,114 --> 00:25:17,282 CASE CLOSED. 479 00:25:17,315 --> 00:25:19,584 WELL, WE'D LIKE TO KEEP THE CASE OPEN. 480 00:25:19,618 --> 00:25:22,087 WE ALSO WANT TO KEEP HER UNDER SURVEILLANCE. 481 00:25:22,120 --> 00:25:23,955 WHAT? SHE'S A SUSPECT? 482 00:25:23,989 --> 00:25:24,990 Hunter: YEAH. 483 00:25:25,023 --> 00:25:27,058 COME ON, GUYS, WE GOT A DEAD JUNKIE... 484 00:25:27,092 --> 00:25:28,593 HE'S THE SKID ROW STALKER. 485 00:25:28,627 --> 00:25:30,962 LIEUTENANT, WHEN DOES A JUNKIE EVER KILL ANYBODY, 486 00:25:30,996 --> 00:25:31,863 EXCEPT TO GET HIS NEXT FIX? 487 00:25:31,897 --> 00:25:33,374 NOW THINK... A GUY WHO KILLS PEOPLE AND CALLS 488 00:25:33,398 --> 00:25:36,968 A REPORTER TO TALK ABOUT IT IS PSYCHO. HE'S TWISTED. 489 00:25:37,002 --> 00:25:39,037 I THINK THIS DEAD GUY AND THE KILLER 490 00:25:39,070 --> 00:25:40,338 ARE TWO DIFFERENT PEOPLE. 491 00:25:40,372 --> 00:25:41,940 I DON'T BELIEVE HER STORY 492 00:25:41,973 --> 00:25:42,941 ABOUT WHAT HAPPENED IN THE ALLEY WAY. 493 00:25:42,974 --> 00:25:45,210 SHE SAID THE WIRE CAME LOOSE DURING THE STRUGGLE. 494 00:25:45,243 --> 00:25:46,278 OVER A MINUTE WENT BY 495 00:25:46,311 --> 00:25:47,712 BEFORE WE HEARD THE FIRST SHOT. 496 00:25:47,746 --> 00:25:49,781 OK, SO SHE STRUGGLED WITH HIM FOR A WHILE, 497 00:25:49,814 --> 00:25:51,750 AND THEN THE GUN WENT OFF. BIG DEAL. 498 00:25:51,783 --> 00:25:53,685 IF A MINUTE WENT BY, 499 00:25:53,718 --> 00:25:55,654 DON'T YOU THINK WE WOULD HAVE HEARD SOMETHING? 500 00:25:55,687 --> 00:25:57,289 WE DIDN'T HEAR ANYTHING. 501 00:25:57,322 --> 00:26:00,926 OK, IF IT WAS A SETUP, AND SHE REALLY MURDERED THIS GUY, 502 00:26:00,959 --> 00:26:04,229 WHY THE HELL WOULD SHE INVITE YOU TWO ALONG FOR THE RIDE? 503 00:26:04,262 --> 00:26:07,365 WITNESSES. SHE HAD TO HAVE WITNESSES 504 00:26:07,399 --> 00:26:08,700 TO VALIDATE HER BIG STORY. 505 00:26:08,733 --> 00:26:09,768 THAT'S RIGHT. 506 00:26:09,801 --> 00:26:11,002 AND THINK ABOUT IT. 507 00:26:11,036 --> 00:26:13,038 WHO BETTER THAN A COUPLE COPS? 508 00:26:27,986 --> 00:26:29,688 HOW DO THESE WORK? 509 00:26:29,721 --> 00:26:31,432 JUST HOLD THEM UP TO YOUR EYE AND LOOK THROUGH THEM. 510 00:26:31,456 --> 00:26:33,858 I MEAN THE TECHNOLOGY BEHIND IT, 511 00:26:33,892 --> 00:26:36,428 THE PRINCIPLE BEHIND WHAT MAKES IT WORK. 512 00:26:36,461 --> 00:26:38,330 IT'S A VERY SIMPLE PRINCIPLE. 513 00:26:38,363 --> 00:26:41,733 IF IT WAS SIMPLE, I WOULDN'T HAVE TO ASK YOU. 514 00:26:41,766 --> 00:26:44,269 OK. 515 00:26:44,302 --> 00:26:46,871 INFRARED LIGHT IS GATHERED IN PRISMS, 516 00:26:46,905 --> 00:26:49,874 TINY LITTLE SHAPES LIKE THIS, 517 00:26:49,908 --> 00:26:52,143 THROUGH THE IONOSPHERE BY MAGNETS AND STORED 518 00:26:52,177 --> 00:26:54,879 IN A REFRACTORY SENSE IN THOSE LENSES. 519 00:26:54,913 --> 00:26:57,716 IN THE EVENING, WHEN THERE'S A LOW INTENSITY OF LIGHT, 520 00:26:57,749 --> 00:26:58,817 YOU'RE ABLE TO SEE 521 00:26:58,850 --> 00:27:00,452 WITH HELP OF THE INFRARED LIGHT. 522 00:27:00,485 --> 00:27:02,087 IT SHOOTS OUT THROUGH THE SUBJECT, 523 00:27:02,120 --> 00:27:04,923 AND IT GLOWS, AND YOU'RE ABLE TO SEE THE IMAGES... 524 00:27:04,956 --> 00:27:06,691 CLEARLY, NOT WITH REGULAR LIGHTS, 525 00:27:06,725 --> 00:27:09,094 ONLY WITH INFRARED LIGHTS AND ONLY AT NIGHTTIME. 526 00:27:09,127 --> 00:27:10,261 GET OUT OF HERE. 527 00:27:10,295 --> 00:27:12,397 YOU'RE LOOKING THROUGH THE WRONG END. 528 00:27:18,937 --> 00:27:21,806 YOU KNOW, I'M STILL TRYING TO FIGURE OUT HOW SHE DID IT. 529 00:27:21,840 --> 00:27:23,074 DID WHAT? 530 00:27:23,108 --> 00:27:25,477 DID WHAT? SHE SUCKERED US, HUNTER. 531 00:27:25,510 --> 00:27:27,846 SHE GOT US WRAPPED UP IN HER BIG STORY 532 00:27:27,879 --> 00:27:29,390 LIKE A COUPLE OF INNOCENTS, YOU KNOW... 533 00:27:29,414 --> 00:27:32,851 "GALLANT REPORTER SOLVES SKID ROW STALKER CASE." 534 00:27:32,884 --> 00:27:34,953 I'M TRYING TO FIGURE OUT HOW SHE TALKED THAT JUNKIE 535 00:27:34,986 --> 00:27:37,122 TO GET IN THE ALLEY WITH HER AND KILL HIM. 536 00:27:37,155 --> 00:27:39,958 WELL, YOU'RE THE KNOW-IT-ALL. WHY DON'T YOU TELL ME? 537 00:27:39,991 --> 00:27:40,959 WHAT DO YOU MEAN, KNOW-IT-ALL? 538 00:27:40,992 --> 00:27:41,960 IF I KNEW THAT, I WOULDN'T BE SITTING IN THIS CAR 539 00:27:41,993 --> 00:27:45,497 STARING AT THIS EXIT. I WANT TO GET SOME SLEEP. 540 00:27:45,530 --> 00:27:46,998 HERE SHE COMES. 541 00:27:57,509 --> 00:27:59,878 GOOD NEWS. SHE'S NOT GOING HOME. 542 00:28:23,101 --> 00:28:24,445 DID YOU EVER HEAR OF THE OLD SAYING 543 00:28:24,469 --> 00:28:26,414 THE MURDERER ALWAYS RETURNS TO THE SCENE OF THE CRIME? 544 00:28:26,438 --> 00:28:28,073 YEAH, BUT I'VE NEVER SEEN IT HAPPEN. 545 00:28:28,106 --> 00:28:30,942 NEITHER HAVE I, BUT SHE'S TURNING OFF ONTO HUGELY. 546 00:29:11,282 --> 00:29:12,417 CAN YOU REACH IT? 547 00:29:12,450 --> 00:29:13,485 NOPE. 548 00:29:13,518 --> 00:29:14,518 COME ON. 549 00:29:59,464 --> 00:30:00,865 WHAT HAPPENED? 550 00:30:00,899 --> 00:30:02,267 SHE'S LEAVING. 551 00:30:02,300 --> 00:30:03,568 WELL, COME ON. JUMP. 552 00:30:03,601 --> 00:30:05,236 I'M NOT GONNA JUMP. IT'S TOO HIGH. 553 00:30:05,270 --> 00:30:06,905 WILL YOU JUMP AND HURRY UP? 554 00:30:06,938 --> 00:30:08,640 SHE'S PROBABLY GETTING AWAY. 555 00:30:08,673 --> 00:30:09,941 COME ON. 556 00:30:13,444 --> 00:30:15,947 OH! YOU OUGHT TO MISS A MEAL. 557 00:30:15,980 --> 00:30:17,115 COME ON. 558 00:30:34,666 --> 00:30:36,601 SHE WAS LOOKING FOR SOMETHING IN THE TRASH. 559 00:30:36,634 --> 00:30:38,169 BUT LOOKING FOR WHAT? 560 00:30:38,203 --> 00:30:40,104 SOMETHING SHE COULD IDENTIFY JUST BY FEEL. 561 00:30:40,138 --> 00:30:41,472 WELL, SHE DIDN'T FIND IT. 562 00:30:41,506 --> 00:30:43,107 NO, NOT WHILE I WAS WATCHING. 563 00:30:43,141 --> 00:30:45,410 IF SHE DID, THAT MEANS SHE'S GOT IT WITH HER NOW. 564 00:30:45,443 --> 00:30:46,477 THAT'S RIGHT. 565 00:31:25,016 --> 00:31:26,117 YES? 566 00:31:26,150 --> 00:31:27,518 MISS TURETTE, YOU'RE UNDER ARREST. 567 00:31:27,552 --> 00:31:28,653 WHAT? 568 00:31:28,686 --> 00:31:29,621 YOU HAVE THE RIGHT TO REMAIN SILENT. 569 00:31:29,654 --> 00:31:32,123 ANYTHING YOU SAY CAN AND WILL BE USED AGAINST... 570 00:31:32,156 --> 00:31:33,458 AGAINST ME IN A COURT OF LAW. 571 00:31:33,491 --> 00:31:34,993 Hunter: YEAH. 572 00:31:35,026 --> 00:31:37,962 ARE YOU TAKING ME INTO CUSTODY? AND IF SO, WHY? 573 00:31:37,996 --> 00:31:40,698 NOT UNLESS YOU'D ANSWER SOME QUESTIONS HERE. 574 00:31:40,732 --> 00:31:42,700 LIKE WHAT WERE YOU LOOKING FOR IN THAT ALLEY? 575 00:31:43,735 --> 00:31:44,735 COME IN. 576 00:31:50,575 --> 00:31:53,544 I LOST AN EARRING. I WENT TO LOOK FOR IT. 577 00:31:53,578 --> 00:31:55,146 DID YOU FIND IT? 578 00:31:55,179 --> 00:31:57,315 NO. I GUESS IT'S LOST. 579 00:31:57,348 --> 00:32:00,518 IT HAD SENTIMENTAL VALUE. THEY'RE MY GRANDMOTHER'S. 580 00:32:00,551 --> 00:32:02,487 COULD I SEE THE OTHER ONE? 581 00:32:04,022 --> 00:32:05,556 BE MY GUEST. 582 00:32:14,299 --> 00:32:15,366 IS THAT IT? 583 00:32:15,400 --> 00:32:16,434 YEAH. 584 00:32:16,467 --> 00:32:18,536 TELL ME, WHY DID YOU WAIT UNTIL NIGHT 585 00:32:18,569 --> 00:32:21,039 TO GO LOOK FOR IT? WHY NOT LOOK DURING DAY TIME? 586 00:32:21,072 --> 00:32:23,574 I JUST REALIZED THAT IT WAS MISSING A FEW HOURS AGO, 587 00:32:23,608 --> 00:32:25,743 AND I DIDN'T WANT TO WAIT UNTIL MORNING.. 588 00:32:25,777 --> 00:32:28,680 WHY AM I BEING ARRESTED? BECAUSE I LOST AN EARRING? 589 00:32:28,713 --> 00:32:31,149 OH, NO, NO, NO. YOU SEE, WE WANT TO SEARCH YOU 590 00:32:31,182 --> 00:32:32,717 AND SEARCH YOUR CAR. 591 00:32:34,185 --> 00:32:35,286 YOU WANT TO SEARCH THE CAR? 592 00:32:35,320 --> 00:32:36,654 THERE ARE THE KEYS. 593 00:32:36,688 --> 00:32:39,590 YOU WANT TO DO A STRIP SEARCH? BE MY GUEST. 594 00:32:39,624 --> 00:32:43,428 BUT DON'T BE SURPRISED IF YOU READ ABOUT IT 595 00:32:43,461 --> 00:32:45,596 ON THE FRONT PAGE OF THE DAILY CITIZEN. 596 00:32:45,630 --> 00:32:48,132 SERGEANT HUNTER. 597 00:32:48,166 --> 00:32:49,534 IT'S A SHAME YOU CAN'T STAY. 598 00:32:49,567 --> 00:32:52,003 I HAVE A GREAT BOD. 599 00:33:11,756 --> 00:33:14,525 ISABELLE TURETTE. 600 00:33:14,559 --> 00:33:15,660 YES. 601 00:33:17,862 --> 00:33:19,564 WHAT DO YOU WANT? 602 00:33:19,597 --> 00:33:22,467 I MAKE MY LIVING FINDING LITTLE THINGS 603 00:33:22,500 --> 00:33:24,469 AND SELLING THEM TO PEOPLE. 604 00:33:24,502 --> 00:33:26,571 I FIND THEM IN THE HIGHWAYS 605 00:33:26,604 --> 00:33:30,408 AND THE BYWAYS... IN THE ALLEYS. 606 00:33:32,343 --> 00:33:37,448 I FIND OUT SOME VERY INTERESTING THINGS. 607 00:33:37,482 --> 00:33:40,118 SPECIAL THINGS THAT PEOPLE WANT, 608 00:33:40,151 --> 00:33:43,454 AND SPECIAL THINGS THAT THEY CAN'T FIND. 609 00:33:43,488 --> 00:33:47,525 THINGS THAT COST MAYBE $1,000. 610 00:33:47,558 --> 00:33:50,528 WHAT ARE YOU TRYING TO SAY? AND GET TO THE POINT. 611 00:33:50,561 --> 00:33:51,863 OH, YES, MA'AM. 612 00:33:51,896 --> 00:33:55,466 I SURE DON'T WANT TO TAKE UP YOUR TIME, 613 00:33:55,500 --> 00:33:57,535 BUT I THOUGHT MAYBE IF YOU WAS IN THE MOOD 614 00:33:57,568 --> 00:34:00,538 TO BUY SOMETHING, 615 00:34:00,571 --> 00:34:03,541 MAYBE THE SIZE OF A MONKEY WRENCH, 616 00:34:03,574 --> 00:34:05,276 MAYBE WE COULD DO A LITTLE BUSINESS. 617 00:34:05,309 --> 00:34:07,879 YOU WANT TO MEET SOMEWHERE, IS THAT IT? 618 00:34:07,912 --> 00:34:11,849 WELL, SOMEWHERE WHERE THERE'S LOTS OF PEOPLE. 619 00:34:11,883 --> 00:34:14,452 SOMEPLACE CROWDED. 620 00:34:14,485 --> 00:34:15,887 YOU PICK THE SPOT. 621 00:34:15,920 --> 00:34:18,356 GUARDIAN RESTAURANT DOWNTOWN. 3:00. 622 00:34:18,389 --> 00:34:21,159 I KNOW WHERE THAT IS! 623 00:34:23,561 --> 00:34:26,431 Pockets: I'M WITH ISABELLE TURETTE'S PARTY. 624 00:34:26,464 --> 00:34:28,900 WILL YOU KINDLY SHOW ME TO HER TABLE? 625 00:34:28,933 --> 00:34:31,469 IT'S ALL RIGHT. SHE'S WITH ME. 626 00:34:44,849 --> 00:34:48,820 YOU WANT TO TELL ME WHAT THAT CALL WAS ALL ABOUT? 627 00:34:48,853 --> 00:34:50,421 YEAH. 628 00:34:51,856 --> 00:34:56,294 IT'S FUNNY HOW I COME BY THIS LITTLE DOODAD. 629 00:34:56,327 --> 00:34:59,564 I WAS SOUND ASLEEP BEHIND THE TRASH, 630 00:34:59,597 --> 00:35:02,200 COPPING SOME Zs, 631 00:35:02,233 --> 00:35:04,202 WHEN ALL OF A SUDDEN, 632 00:35:04,235 --> 00:35:05,803 I HEAR ALL THIS BANG-BANGING, 633 00:35:05,837 --> 00:35:08,172 AND I LOOKS UP, 634 00:35:08,206 --> 00:35:12,577 AND THERE'S SOMEBODY HIDING SOMETHING 635 00:35:12,610 --> 00:35:14,779 IN A PILE OF JUNK. 636 00:35:14,812 --> 00:35:19,183 I WAIT, AND I WAIT TILL EVERYBODY'S GONE, 637 00:35:19,217 --> 00:35:21,819 AND THEN I SNEAKS A LOOK. 638 00:35:21,853 --> 00:35:26,958 AND THERE'S ANOTHER LITTLE SOMETHING FOR ME TO SELL. 639 00:35:26,991 --> 00:35:31,262 AND THIS PRETTY LITTLE NUMBER'S GOT A STORY, 640 00:35:31,295 --> 00:35:34,532 SO THAT MAKES IT WORTH A WHOLE LOT MORE. 641 00:35:36,000 --> 00:35:38,569 YOU LISTEN TO ME, OLD LADY. 642 00:35:38,603 --> 00:35:41,572 YOU CUT THE CRAP AND TELL ME WHAT YOU WANT. 643 00:35:42,607 --> 00:35:45,877 I WANT A COOL THOUSAND. 644 00:35:47,011 --> 00:35:49,580 WELL, LET ME TELL YOU SOMETHING... 645 00:35:49,614 --> 00:35:51,983 I THINK MAYBE THAT YOU'RE A COP, 646 00:35:52,016 --> 00:35:53,818 AND THAT YOU'RE WIRED, 647 00:35:53,851 --> 00:35:54,895 AND I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 648 00:35:54,919 --> 00:35:56,854 HA HA HA! 649 00:35:56,888 --> 00:35:57,989 A COP? 650 00:35:58,022 --> 00:36:01,626 HOW MANY COPS YOU SEEN LOOK LIKE ME? 651 00:36:01,659 --> 00:36:04,762 AND YOU THINK I GOT A LITTLE MACHINE 652 00:36:04,795 --> 00:36:07,965 TO TAKE DOWN ALL YOUR PRETTY LITTLE WORDS? 653 00:36:07,999 --> 00:36:10,568 WELL, HERE. YOU WANT TO SEE? 654 00:36:10,601 --> 00:36:11,903 NOT HERE! 655 00:36:14,005 --> 00:36:16,440 AT MY PLACE, ALL RIGHT? 656 00:36:16,474 --> 00:36:19,010 THAT PLACE OF YOURS HAPPEN TO HAVE A LITTLE SHERRY? 657 00:36:19,043 --> 00:36:20,511 YES. 658 00:36:27,852 --> 00:36:30,321 ALL RIGHT, YOU'RE NOT WIRED. 659 00:36:30,354 --> 00:36:31,789 SO WHERE DO WE GO FROM HERE? 660 00:36:31,822 --> 00:36:34,592 WELL, YOU COME BRING THE MONEY, 661 00:36:34,625 --> 00:36:37,595 AND I'LL BRING WHAT I GOT. 662 00:36:37,628 --> 00:36:38,996 AND JUST LIKE THAT, 663 00:36:39,030 --> 00:36:42,700 AT THAT RESTAURANT WHERE WE WAS TODAY. 664 00:36:42,733 --> 00:36:44,635 YOU'VE GOT 3 HOURS. 665 00:36:44,669 --> 00:36:46,871 OH, LORD! AIN'T WE SOMEBODY! 666 00:36:46,904 --> 00:36:49,507 YOU BETTER BE NICE TO ME, MISS PRISS, 667 00:36:49,540 --> 00:36:52,343 LEAST WAY TILL YOU GET YOUR HANDS ON THE GOODIES. 668 00:36:57,348 --> 00:37:00,618 YOU DON'T SHOW UP, I'LL SEE ABOUT YOU. 669 00:37:00,651 --> 00:37:04,622 'CAUSE I PICKED THAT THING UP VERY CAREFUL, 670 00:37:04,655 --> 00:37:07,992 AND AIN'T NOBODY TOUCHED IT SINCE YOU DID. 671 00:37:08,025 --> 00:37:09,694 YOU'LL GET YOUR MONEY. 672 00:37:09,727 --> 00:37:13,965 MY MONEY! AIN'T THAT GOT A NICE RING TO IT? 673 00:37:20,972 --> 00:37:23,774 NOW, POCKETS, YOU NEVER TOLD HER WHAT YOU FOUND? 674 00:37:23,808 --> 00:37:27,745 I CALLED IT A THING ABOUT THE SIZE 675 00:37:27,778 --> 00:37:29,981 OF A MONKEY WRENCH, LIKE YOU SAID. 676 00:37:30,014 --> 00:37:32,617 SHE NEVER ONCE ASKED YOU EXACTLY 677 00:37:32,650 --> 00:37:34,318 WHAT IT WAS THAT YOU FOUND? 678 00:37:34,352 --> 00:37:38,389 OH, SHE KNEW WHAT I FOUND, MR. GOOD-LOOKING. 679 00:37:38,422 --> 00:37:41,492 WHAT ELSE COULD IT BE BUT THE GUN THE JUNKIE HAD? 680 00:37:41,525 --> 00:37:43,661 HE PROBABLY EVEN TRIED TO USE IT. 681 00:37:43,694 --> 00:37:46,464 HAD TO BE WHAT SHE WAS LOOKING FOR. 682 00:37:46,497 --> 00:37:47,765 NOW, LOOK, POCKETS, 683 00:37:47,798 --> 00:37:50,601 YOU CANNOT BE ALONE WITH THIS WOMAN. 684 00:37:50,635 --> 00:37:52,570 OH, POCKETS CAN TAKE CARE OF HERSELF. 685 00:37:52,603 --> 00:37:54,071 NO, YOU CAN'T. NOT WITH THIS WOMAN. 686 00:37:54,105 --> 00:37:57,575 UM, IF IT DIDN'T WORK, 687 00:37:57,608 --> 00:38:00,478 UH, SHE COULD JUST WALK AWAY, 688 00:38:00,511 --> 00:38:03,447 AND YOU COULDN'T DO ANYTHING ABOUT HER? 689 00:38:03,481 --> 00:38:05,116 WE DON'T WANT ANYTHING TO HAPPEN TO YOU. 690 00:38:05,149 --> 00:38:07,118 BLESS YOUR HEART. 691 00:38:07,151 --> 00:38:11,822 AIN'T NOBODY BEEN CONCERNED ABOUT ME FOR 100 YEARS. 692 00:38:11,856 --> 00:38:13,391 NOW LISTEN, POCKETS. 693 00:38:13,424 --> 00:38:15,126 DO NOT GET INTO THE SAME CAR WITH HER. 694 00:38:15,159 --> 00:38:17,428 DON'T EVEN GO TO THE LADIES' ROOM TOGETHER. 695 00:38:17,461 --> 00:38:19,130 SHE'LL TRY TO KILL YOU. 696 00:38:19,163 --> 00:38:20,564 WELL, SHE DIDN'T KILL ME 697 00:38:20,598 --> 00:38:21,966 WHEN SHE HAD ME AT HER HOUSE. 698 00:38:21,999 --> 00:38:24,001 THAT'S BECAUSE SHE DIDN'T HAVE THE GUN. 699 00:38:24,035 --> 00:38:27,438 THAT'S PROBABLY THE ONLY REASON YOU'RE STILL HERE. 700 00:38:27,471 --> 00:38:30,608 THE FIRST CHANCE SHE GETS, SHE'LL TRY TO KILL YOU. 701 00:38:30,641 --> 00:38:32,376 LIKE SHE KILLED WANDA. 702 00:38:34,011 --> 00:38:37,415 I TOOK WANDA'S BED UP. 703 00:38:38,482 --> 00:38:39,817 PUT EVERYTHING AWAY. 704 00:38:41,452 --> 00:38:45,823 YOU KNOW, WHEN YOU AIN'T GOT BUT ONE FRIEND, 705 00:38:45,856 --> 00:38:49,427 AND YOU LOSE THAT ONE, IT MAKES YOU MAD. 706 00:38:49,460 --> 00:38:52,496 I CRIED. IT TAKES A LOT TO MAKE ME CRY. 707 00:38:52,530 --> 00:38:57,034 AND I'M MAD! WHY'D SHE DO THAT? 708 00:38:57,068 --> 00:39:00,471 HER SKID ROW STALKER STORY MADE FRONT PAGE. 709 00:39:00,504 --> 00:39:02,473 SHE HAD A HARD TIME GROWING UP, 710 00:39:02,506 --> 00:39:04,475 AND NOW SHE'S LOOKING FOR A PULITZER PRIZE. 711 00:39:04,508 --> 00:39:07,845 UH-UH. DON'T BRING ME 712 00:39:07,878 --> 00:39:10,448 THAT STUFF ABOUT, "I'M POOR, 713 00:39:10,481 --> 00:39:13,484 SO I'LL JUST STEP ON SOMEBODY ELSE." 714 00:39:13,517 --> 00:39:15,986 LIKE IT'S ALL RIGHT BECAUSE YOU HAD IT HARD 715 00:39:16,020 --> 00:39:17,655 TO DO ANYTHING TO ANYBODY. 716 00:39:17,688 --> 00:39:18,823 THEY MAKE EVERYBODY BLACK 717 00:39:18,856 --> 00:39:21,759 AND EVERYBODY POOR ASHAMED. 718 00:39:21,792 --> 00:39:23,994 IT MAKES ME ASHAMED! 719 00:39:24,028 --> 00:39:26,163 SITTING IN HER APARTMENT... 720 00:39:27,198 --> 00:39:31,669 HER FANCY APARTMENT, EATING HER SUPPER 721 00:39:31,702 --> 00:39:33,771 LIKE AIN'T NOTHING HAPPENED. 722 00:39:33,804 --> 00:39:37,007 LIKE WANDA WAS JUST DUST ON HER SHOES. 723 00:39:37,041 --> 00:39:40,144 WELL, IT'S TIME TO STAND UP 724 00:39:40,177 --> 00:39:42,179 AND GIVE THAT STUFF RIGHT BACK! 725 00:39:42,213 --> 00:39:43,647 BECAUSE I'M TIRED OF IT! 726 00:39:43,681 --> 00:39:46,183 AND SHE'S GOT IT COMING! 727 00:39:46,217 --> 00:39:50,187 AND OL' POCKETS IS GOING TO GIVE IT TO HER. 728 00:39:50,221 --> 00:39:51,655 HALLELUJAH. 729 00:40:13,144 --> 00:40:14,111 HURRY UP AND GET IN. 730 00:40:14,145 --> 00:40:15,246 UH-UH. 731 00:40:15,279 --> 00:40:16,747 YOU WANT THE MONEY OR NOT? 732 00:40:16,781 --> 00:40:19,550 THAT'S WHY I'M DOING THIS DANCE. 733 00:40:19,583 --> 00:40:21,085 WELL, SWEETHEART, I'M NOT GONNA 734 00:40:21,118 --> 00:40:21,986 HAND IT TO YOU ON A PLATTER 735 00:40:22,019 --> 00:40:23,921 IN THE RESTAURANT WITH ALL THOSE WITNESSES. 736 00:40:23,954 --> 00:40:25,890 AND I'M NOT GETTING IN NO AUTOMOBILE 737 00:40:25,923 --> 00:40:26,824 WITH YOU, MISS UPPITY. 738 00:40:26,857 --> 00:40:30,528 WELL, OLD LADY, YOU JUST KISSED AWAY $1,000. 739 00:40:32,797 --> 00:40:34,632 SHE'S GOING TO GET AWAY. 740 00:40:34,665 --> 00:40:35,933 WAIT! 741 00:40:39,637 --> 00:40:40,671 COME ON! 742 00:40:40,704 --> 00:40:41,704 WAIT! 743 00:40:44,275 --> 00:40:47,711 I SEE YOU FINALLY CAME TO YOUR SENSES. 744 00:40:47,745 --> 00:40:49,013 I'LL TAKE 1,000 BUCKS 745 00:40:49,046 --> 00:40:51,615 AS WELL AS ANY OLD WOMAN. 746 00:40:54,051 --> 00:40:55,853 WHERE IS IT? 747 00:40:55,886 --> 00:40:58,889 HOLD YOUR HORSES. I GOT IT RIGHT HERE. 748 00:40:58,923 --> 00:41:00,658 IN THIS BOX. 749 00:41:02,126 --> 00:41:04,895 SOMEWHERE IN HERE I GOT IT. 750 00:41:04,929 --> 00:41:06,163 WILL YOU HURRY UP! 751 00:41:15,973 --> 00:41:16,973 THAT'S IT. 752 00:41:18,209 --> 00:41:21,045 KEEP YOUR GREEDY LITTLE HANDS OFF TO YOURSELF! 753 00:41:21,078 --> 00:41:23,080 JUST SHOW IT TO ME. 754 00:41:23,113 --> 00:41:24,849 NO WAY, JOSE. 755 00:41:24,882 --> 00:41:27,017 YOU LET ME SEE THE GREEN. 756 00:41:27,051 --> 00:41:29,153 THEN YOU'LL GET TO SEE THE GOODIES. 757 00:41:29,186 --> 00:41:32,022 YOU'LL GIVE ME THAT BOX NOW. 758 00:41:32,056 --> 00:41:35,626 YOU WOULDN'T SHOOT ME, WOULD YOU, GAL? 759 00:41:35,659 --> 00:41:40,331 I MIGHT HAVE KNOWN YOU WAS TOO SMART FOR ME. 760 00:41:40,364 --> 00:41:43,334 I AIN'T NOTHIN' BUT TALK NO HOW. 761 00:41:43,367 --> 00:41:46,670 WELL, HERE, YOU CAN HAVE IT! 762 00:41:48,239 --> 00:41:50,908 YOU LYING OLD WOMAN! THAT ISN'T THE GUN! 763 00:41:50,941 --> 00:41:53,310 THIS IS THE POLICE. 764 00:41:53,344 --> 00:41:56,714 PULL YOUR CAR OVER AND THROW OUT YOUR GUN NOW! 765 00:42:09,360 --> 00:42:11,128 ARE YOU ALL RIGHT? 766 00:42:11,161 --> 00:42:14,632 NEVER FELT BETTER IN MY LIFE. 767 00:42:14,665 --> 00:42:17,601 THAT GAL PICKED THE WRONG OLD CRAZY PERSON 768 00:42:17,635 --> 00:42:18,836 TO MESS WITH. 769 00:42:18,869 --> 00:42:20,704 I THINK YOU'RE RIGHT. 770 00:42:20,738 --> 00:42:22,706 ELLA MAE BULLOCK'S BACK, 771 00:42:22,740 --> 00:42:24,975 AND SHE'S BADDER THAN EVER! 772 00:42:25,009 --> 00:42:26,877 ELLA MAE WHO? 773 00:42:26,911 --> 00:42:28,312 ME. 774 00:42:29,680 --> 00:42:31,181 THAT'S MY NAME. 775 00:44:36,340 --> 00:44:37,741 ELLA MAE? 776 00:44:41,178 --> 00:44:42,346 ELLA MAE? 777 00:44:45,382 --> 00:44:48,052 I GOT 5 DIFFERENT WAYS 778 00:44:48,085 --> 00:44:50,921 OF MOVING IN AND OUT OF THIS PLACE. 779 00:44:50,954 --> 00:44:52,990 ON ACCOUNT OF NIGHT BURGLARS. 780 00:44:53,023 --> 00:44:54,124 OH, YEAH, YEAH, YEAH. 781 00:44:54,158 --> 00:44:55,526 GUESS WHAT WE'VE GOT FOR YOU. 782 00:44:55,559 --> 00:44:57,027 SOMETHING SPECIAL. 783 00:44:58,462 --> 00:44:59,730 TA-DA! 784 00:45:09,339 --> 00:45:12,076 I WISH WANDA WAS HERE. 785 00:45:12,109 --> 00:45:13,377 SO DO I, POCKETS. 786 00:45:18,449 --> 00:45:23,887 THEY LET ME GO SEE WHERE WANDA WAS BURIED TODAY. 787 00:45:23,921 --> 00:45:25,389 OVER AT POTTER'S FIELD. 788 00:45:26,924 --> 00:45:28,459 I TOOK A FEW LITTLE THINGS OVER THERE 789 00:45:28,492 --> 00:45:29,960 TO PUT ON THE GRAVE. 790 00:45:34,932 --> 00:45:36,400 SURE IS LONESOME. 791 00:45:39,937 --> 00:45:44,174 ELLA MAE, WHY DON'T YOU GET OUT OF THIS PLACE? 792 00:45:44,208 --> 00:45:47,177 WHY DON'T YOU LET US HELP YOU FIND A NEW HOME? 793 00:45:47,211 --> 00:45:54,318 YOU MEAN, WHY DON'T I LEAVE THIS MANGY OLD HOLE AT LAST? 794 00:45:54,351 --> 00:45:56,053 WELL, SURE. THERE'S A LOT 795 00:45:56,086 --> 00:45:57,855 OF RELOCATION ASSISTANCE PROGRAMS. 796 00:45:57,888 --> 00:45:58,889 WE CAN HELP YOU. 797 00:46:00,357 --> 00:46:01,458 WELL, PEOPLE... 798 00:46:02,960 --> 00:46:04,995 I GOT ME A PLACE. 799 00:46:07,331 --> 00:46:09,500 MAY NOT LOOK LIKE MUCH... 800 00:46:10,934 --> 00:46:13,137 BUT IT'S WHAT I AM. 801 00:46:14,638 --> 00:46:16,507 IT'S FREEDOM. 802 00:46:16,540 --> 00:46:19,476 I CAN COME AND GO IN AND OUT OF HERE ANY WAY I PLEASE. 803 00:46:19,510 --> 00:46:21,945 I'M CAPTAIN OF THE SHIP HERE. 804 00:46:21,979 --> 00:46:26,083 I AM SOMEBODY. 805 00:46:26,116 --> 00:46:27,317 SO... 806 00:46:28,352 --> 00:46:30,254 LET'S MAKE A TOAST. 807 00:46:30,287 --> 00:46:32,189 I GOT ME TWO FRIEND, 808 00:46:32,222 --> 00:46:35,325 A PRETTY LADY AND A TALL HANDSOME FELLOW. 809 00:46:37,928 --> 00:46:40,030 AND WE FINALLY... 810 00:46:40,063 --> 00:46:42,833 DONE GOOD BY WANDA. 811 00:46:43,467 --> 00:46:45,569 HALLELUJAH! 812 00:46:45,602 --> 00:46:46,603 AMEN. 813 00:46:46,637 --> 00:46:48,839 AMEN!